{"id":7516,"date":"2021-07-09T12:24:45","date_gmt":"2021-07-09T17:24:45","guid":{"rendered":"https:\/\/inpacta.org\/inpavac\/?p=7516"},"modified":"2022-04-05T18:34:38","modified_gmt":"2022-04-05T23:34:38","slug":"first-regional-acoustics-symposium-lima-peru-2021","status":"publish","type":"post","link":"https:\/\/inpacta.org\/inpavac\/en\/first-regional-acoustics-symposium-lima-peru-2021\/","title":{"rendered":"First Regional Acoustics Symposium, December 16th<\/sup>-18th<\/sup>, Lima-Per\u00fa 2021"},"content":{"rendered":"\t\t
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Scientific Committee<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Walter A. Montano
Acoustics and Vibroacoustics Institute of Per\u00fa
<\/em><\/strong>\u00a0
Laura A. Lanc\u00f3n
Acoustics Lab UAM \u2013 Azcapotzalco. M\u00e9xico<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Silvia G. Garc\u00eda
Acoustics Lab UAM \u2013 Azcapotzalco. M\u00e9xico
<\/strong><\/em>\u00a0
Francisco Mata Cabrera
TAD – UCLM. Spain<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Fernando J. Elizondo\nAcoustics Lab FIME-UANL. M\u00e9xico<\/em><\/strong><\/p>\n

Marlenne G. Ur\u00eda\nProf. on Acoustics-UNIF\u00c9. Per\u00fa<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Organizer Committee<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Elena I. Gushiken
President<\/strong><\/em>
INPACTA. Per\u00fa
<\/strong><\/em>\u00a0
Norka D\u00edaz
Vocal<\/strong><\/em>
INPACTA. Per\u00fa<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Henry D. Lazarte
Academic Director<\/strong><\/em>
INPACTA. Per\u00fa
<\/strong><\/em>\u00a0
Amparo Casta\u00f1eda
Treasurer<\/strong><\/em>
INPACTA. Per\u00fa<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Silvia I. Quinto
Secretary<\/strong><\/em>
INPACTA. Per\u00fa
<\/strong><\/em>\u00a0
Wilfredo Contreras
Vocal<\/strong><\/em>
INPACTA. Per\u00fa<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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International Guests<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Marion Burgess
IYS2020+<\/strong><\/em>
\u00a0\u00a0
Antonino di Bella
ICA Board<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Michael Taroudakis
IYS2020+<\/strong><\/em><\/p>

Mark Hamilton
ICA Board<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Fausto Rodr\u00edguez
IYS2020+
<\/em><\/strong>\u00a0
Spanish Speaking Acousticians
ASA<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Technical Sessions #1<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The Acoustics of Ancient Theatres<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Soundscape<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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COVID-19-related sound changes<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mirian Kolar
Archeoacoustics in Chav\u00edn de Hu\u00e1ntar
<\/em><\/strong>\u00a0
Gustavo Basso
Acoustic restoration of the<\/strong><\/em>
Teatro Col\u00f3n. Buenos Aires, Argentina
<\/strong><\/em>\u00a0
Andrea Farina
Acoustic intervention in monumental buildings, Argentina
<\/strong><\/em>\u00a0
G. Fern\u00e1ndez\/A. Haedo
Acoustic restoration of the Teatro Sol\u00eds. Montevideo, Uruguay<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Pablo Kogan
Universidad de Chile
<\/strong><\/em>\u00a0<\/p>

Silvia Garc\u00eda
UAM-M\u00e9xico
<\/strong><\/em>\u00a0<\/p>

Elena Gushiken
Acoustic intervention of the Macchu Picchu Pueblo auditorium
\u00a0<\/em><\/strong><\/p>

Mario Huaquin, Chile
Acoustics planning of urban space<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a0
Long-term sound monitoring in Lima, Per\u00fa

\u00a0
The case of Monterrey, M\u00e9xico
\u00a0
\u00a0
The case of Barcelona, Spain
\u00a0
\u00a0
The case of Montevideo, Uruguay<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Technical Sessions #2<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Effects of noise in humans<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Architectural Acoustics<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Engineering Acoustics<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Technical Sessions #3<\/strong><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Acoustic confort<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Room acoustics<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Acoustics in Law and Medicine<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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(To confirm)<\/p>\n

(To confirm)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

To conclude the International Year of Sound IYS2020+ and the extra-curricular course, a Regional Acoustics Symposium will be held in mid-December 2021…<\/p>\n","protected":false},"author":1,"featured_media":7901,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[125],"tags":[],"class_list":["post-7516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-old-events"],"yoast_head":"\nFirst Regional Acoustics Symposium, December 16th-18th, Lima-Per\u00fa 2021 - Inpavac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/inpacta.org\/inpavac\/en\/first-regional-acoustics-symposium-lima-peru-2021\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"First Regional Acoustics Symposium, December 16th-18th, Lima-Per\u00fa 2021 - 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